Treading Water by CHRISTINA HARKNESS

The last time I poked my toe in the water here, the world was a very different place. The Covid pandemic has had me (and the rest of the world) working from home for about three months now. If there has been a single good thing to come out of so many people not going to work, it would be the ongoing support and continued pressure applied by protesters at Black Lives Matter rallies across the world. There is such a dichotomy of hopeless and hopeful happening, depending upon the hour that you check your news feed.

The only thing I can report personally is that progress on Hejira is continuing. I set myself the arbitrary goal of one year to complete the canvas, which is a tall order since my other, much smaller canvases have taken longer. Halfway through the year and I think I am on track. At this writing, I have about five or six inches of watery background to complete and the rest of the water as well as the whale are sewn down to the canvas.

Plans are to create and sew down the majority of the coral reef and get the whale to the framer. After it comes back, I will complete the flipper.

Along with every other creative person out there in the world, my schedule of shows and a potential artist residency have been cancelled. 2020? Not a fan…

Reading is Fundamental by CHRISTINA HARKNESS

I suppose the modern equivalent is the school book fair. Whether it is a physical event or kids bringing home the order forms for their parents to peruse, the intoxicating nature of books can be seen from a very early age.

For me, it was the RIF program in elementary school. Reading is Fundamental was a program that allowed kids the inescapable pleasure of walking into a roomful of books and picking one out to take home FOR FREE! You got that young’uns….it was FREE. The seventies may have had environmental pollution, gas lines, Three Mile Island, and Jodie Foster playing child “prostitutes” at the movies, but it also had a magical space where a kid could pick out a book of their own choosing, without parental intervention, for free.

I was interested in whales a long time before RIF came around. Probably my interest in whales came from Mrs. Clarke at Garner Elementary School in Clio, Michigan. During rainy days or special days or whatever her motivation, Mrs. Clarke would play the reel to reel movies of The Undersea World of Jacques Cousteau. I loved Mrs. Clarke. I loved her encouragement, her kindness, and her ability to inspire kids to explore what interested them. For me, I was absolutely rapt. Maybe the other kids in class were climbing the walls, I don’t know. All I saw was an absolutely fantastical world that I wanted to be a part of.

It was midway through third grade that I was wrestling with how I could get to the ocean and what job I could do. I learned about marine biology, scuba diving, the US Navy and the Merchant Marines. By hook or by crook, I was going to get there.

As an adult with access to Youtube, I have gone back and watched the old episodes of The Undersea World of Jacques Cousteau. One of the episodes on whales and whaling actually showed very little of the whales, by modern standards. The video technology of the seventies just wasn’t there yet. It wasn’t until I walked into that RIF book fair that the final puzzle piece fell into place.

It was Farley Mowat’s A Whale For The Killing that did it. It was an actual grown up book, which appealed to me. It had “whale” in the title, which also appealed to me. And when the teacher overseeing the book fair stopped me momentarily and asked “are you sure that’s going to be the right book for you?” I knew it was the right book for me.

I had picked the book up and I had read the quote on the first page. Later on, I wrote that quote down several times over the years as it moved me so much:

“We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate for having taken form so far below ourselves. And therein do we err. For the animal shall not be measured by man. In a world older and more complete than ours, they move finished and complete, gifted with the extension of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings: they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.” ― Henry Beston, The Outermost House: A Year of Life On The Great Beach of Cape Cod

As a third grader, it was very heavy and I loved it. I then read the book and sobbed. I then watched the movie and sobbed even harder. It was a fight between the powerful and the powerless.

I must admit, I got a little moxie back when, quite a few years later, I read Moby Dick. Once, twice, and yet again.

I always was rooting for the whale.

Man vs. Nature. Good vs. Evil. The powerless vs. the powerful. As a third grader in Clio, Michigan in Mrs. Clarke’s class on a rainy day, I was already drawing my own conclusions.

The Importance of Being Ernest by CHRISTINA HARKNESS

I am prepping for putting my Deception Pass Canvas up for auction starting Monday, March 16th. Half of the proceeds will go to an Orca conservation non-profit in Seattle.

I know a lot of my social media peeps will know that I am interested in whales and ocean conservation because I JUST WON'T STOP POSTING ALL THOSE DAMN WHALE VIDEOS!!!

What you may not know is that my birthday present for my 7th birthday (or there abouts) was a membership in Greenpeace. When I was a little bit older, I got a certificate from Greenpeace for writing them a lengthy letter about my experiences with lugging my tape recorder into the Michigan woods to play the birds the songs of the humpback whale and noting their response. (Note to future researchers, Michigan songbirds LOVE the songs of the humpback whale. Tippy Hedren had NOTHING on me!)

When life seemed inexplicable as a kid, I buried myself in the cetacean section of the library. I learned the facts and the science and formulated confusion into order. I wanted to study whales and the ocean called to me.

I got a little older and made my way out to the Gulf of Maine where I followed whales around in a little Zodiac raft and learned the absolute beauty of knowing that I was tiny in the face of absolute majesty. I then sailed in the merchant marine where I would be rewarded, on occasion, with seeing the marine life from my "office window".

I then later found myself on the shores of the greatest inland sea, Lake Superior. As one of my marine ship handling instructors stated "It's just like an ocean, but it doesn't smell right". Lake Superior will always be my secret mistress.

After awhile, I made my way out to the Pacific Northwest. Whenever I felt the world was out of control, I could, in the words of John Masefield, "Go down to the sea again, to the lonely sea and the sky...". The Pacific Northwest will always be the home that I am homesick for.

My Deception Pass canvas was a recognition of that "home away from home" and a deep and abiding love for the creatures that dwell there. I hope that folks who are interested in my art and the story behind it, will watch my social media spaces.

YouTube: https://www.youtube.com/watch?v=RQAswwHoM0o

Instagram https://www.instagram.com/coral_knits/?hl=en

Twitter https://twitter.com/ChristyHarkness

Youtube https://www.youtube.com/channel/UCy2ekEL6u8TR8mUaza6nkJA

Hejira: The Latest Journey by CHRISTINA HARKNESS

I am terrible at keeping this blog updated but I actually have a reason to update it as I have received the Northern Art Council’s Emerging Artist of 2020 award.

I have been secretly harboring the idea of creating a huge piece and having it hung in the Pacific Visions art exhibition at the Aquarium of the Pacific. I wrote for the grant with this project in mind and now I have the financial means to actually make a piece impressive enough.

I received notice of the grant on a Friday and spent the next two days furiously finishing my Deception Pass Canvas. As soon as I dropped it off at the framers, I started to plot and plan.

My next canvas is six feet by three feet and will be called "Hejira". It will be an extreme close up of a humpback whale. The hope is to have this one canvas continue onto a second canvas stationed below which will be primarily a coral reef. The viewer will look directly into the eye of the humpback as it swims past. The eye will be kind but also challenging. What are you going to do to to fix the many issues threatening my world?

I have been fascinated with the word Hejira for decades. It comes from the Muslim tradition and means a journey or a migration, usually from a place of danger to a place of safety.

I hope to have it done in a year, which is a tall order. Stay tuned!

Trees Near and Far by CHRISTINA HARKNESS

Now the fun begins. The perspective of this piece is from the hiking trail looking down the cliff to the beach below. This was the first hiking trail that I walked on after coming to Washington State and I distinctly remember pausing at this exact spot and having my breath taken away.

I recently saw a photo from someone visiting Deception Pass that had this exact view of this island and I had to stop and laugh because I recognized it immediately

Creating the Douglas Fir, the Cedar and the small trees in the distance takes me back there in my mind. I can smell the sea air and the deep green trees.

The Beach at Deception Pass by CHRISTINA HARKNESS

My current freeform canvas is of one of my favorite places. Deception Pass State Park in Washington State was a place that I took my dogs for a romp on the beach or where I went for a little self care from a stressful job. I was a few weeks into this project when I realized it was about more than just remembering a favorite place. Both of my dogs had to be put down earlier this year and I think it has something to do with remembering my time with them as well.

This canvas is the same size as the Coral Canyon but in landscape mode. This was the first time that I had sketched out how I wanted it all to look even before I got the canvas.

Deception Pass is notorious for its swirling currents which I wanted to capture.

Once again, creating the background is incredibly fun even though the majority of it will be covered.